Hollywood's Satanic Agenda (9): Valkyrie

Here's another film we've addressed previously on the topics of Christmas and the hidden letter Lamed in the above poster.


2008's Tom Cruise "thriller" Valkyrie is a historical event, of course--although it's a thriller that everyone already knows the ending to, and knows that the plot fails even before the film begins, so it's as thrilling as that can be--and an apparently historically accurate one, but if we look at all the evidence we have no doubt that Valkyrie and its historical precedent are here being used as NWO propaganda. Like the film 300, the July 20 assassination event is merely the framework on which the message is hung.

Also like the Spartans of 300, the July 20 plotters failed in their literal applications; however, it is the symbolism of each event that is important to them--then and now. Both groups knew they were going to die, but it was putting up the fight that was most important.

Both events are here amended into the modern Gnostic Luciferian theology: that of a small band of rebels taking on the tyrannical dictatorship (God/demiurge). That is the true motivation for these films.


At the start we find Colonel Claus von Stauffenberg journaling in a tent in Tunisia. He has realized the madness of Hitler and decides to take action. He writes: "My duty as an officer is no longer to save my country, but to save human lives."


If this line is taken together with the bloodline Lamed symbol, we can see that Stauffenberg represents the christos in the film. It is shortly after this gnosis point that Stauffenberg loses his eye; the real Stauffenberg lost an eye, but in the film the gnosis and losing the eye are juxtaposed together in keeping with the Norse mythology of Odin, who sacrificed an eye for wisdom.



While Stauffenberg is recovering from his injuries, a plane lands in Prussia.

26? Gee... wonder whose plane that is.

Recall that in Hebrew gematria YHWH = 26.


It's Hitler and his cronies.


Hitler represents God in the film. The evil dictator, the eugenicist, the destroyer of nations.

Jeremiah 4:7:

"The lion is come up from his thicket, and the destroyer of the Gentiles is on his way; he is gone forth from his place to make thy land desolate; and thy cities shall be laid waste, without an inhabitant."


In a bombed-out church, Stauffenberg is recruited into the German Resistance. As Hitler's war machine is failing, God's house is falling apart. Stauffenberg says: "I know now there is only one way to serve Germany. And doing so I'll be a traitor. I accept that."

Lucifer must rebel to save humanity from God.


The small band of rebels (angles) who depart from the ultimate authority and attempt a coup d'etat. Stauffenberg is the key player here, even commanding generals above him.


The first attempt is made in the Wolf's Lair (Heaven).


Using state-of-the-art explosive technology (gnosis), the plotters plan to use the strength of the bunker against itself: only a small explosion is required inside, then the air pressure created by the blast will kill everyone inside the windowless structure.

This corruption-of-the-stronghold theme is something we see repeated often today: Heaven is boring, playing harps, being a servant of God, Christopher Hitchens' "celestial North Korea," All my friends will be in Hell, and so on.


Stauffenberg and the fallen rebels are going to see to it "that Hitler's Germany has seen its last sunrise."

Here again we refer the reader to the previous Christmas posting as the winter solstice celebration is an extremely significant event for the NWO Custodians. Stauffenberg's reference is to the dying of the Old Age and the dawning of the New Age--without God. The Golden Dawn.


On Stauffenberg's desk is the reaper with scythe, the symbol of Saturn. This is an allusion to the Fraternitas Saturni, the Gnostic-Luciferian Brotherhood of Saturn occult society, and a continuation of the theme of God as the suppressor of man's gnosis and evolution.

From Fire and Ice:

"The great storm-cloud broke over the Fraternitas Saturni and all other Masonic and quasi-Masonic lodges in Germany on January 30, 1933, when Adolph Hitler, Fuhrer of the NSDAP, too the oath as chancellor of Germany. By the next Month emergency powers had been invoked and many groups thought to be as a subversive nature, from Communists to Masons, were suppressed. This began a process in which secret societies and occult orders of all kinds began to be systematically suppressed." (p.23)


The bomb went off on the second try but didn't kill Hitler; from then on the plan fell apart. On the radio we hear Hitler refer to "The hand of providence directing me to complete my work."

Stauffenberg and his fellow conspirators are taken outside to be executed by firing squad.


Just before being shot, Stauffenberg shouts, "Long live sacred Germany!"

These final words of the film tell us what the conspirators are really fighting for, the reue plot of the film.

guardian.co.uk:

"The idea of a noble Germany, uncorrupted by racial inferiors and alien philosophies, a Germany that would be led by a world figure, was not invented by Hitler. Long before he came along, the simple word Führer - leader - had been turned into something messianic..."

"It is ironic that Stauffenberg's son should have been contemptuous of the notion of Tom Cruise playing his father, on the grounds that he is a cultist, because Claus Schenk von Stauffenberg and his two brothers, Berthold and Alexander, were themselves members of a cult that formed around a mythical secret Germany; their master was the poet Stefan George. George is a sinister figure, but in an American newspaper article of the 1920s he was rated one of the most important men in the world. Hardly remembered and little read today, he was a poet who rivalled Hölderlin and Schiller in his fame."

"Stefan George's poem "Secret Germany" was the inspiration for Stauffenberg's oath of mutual intent for the conspirators, which was typed by his brother Berthold's secretary:

'We want a new order which makes all Germans responsible for the state and guarantees them law and justice; but we despise the lie that all are equal and we submit to rank ordained by nature. We want a people with roots in their native land, close to the powers of nature, finding happiness and contentment in the given environment, and overcoming, in freedom and pride, the base instincts of envy and jealousy. We want leaders who ... are in harmony with the divine powers and set an example to others by their noble spirit, discipline and sacrifice.'"

Quite a revealing oath. Why wasn't that in the film?

Now we can see why a struggling Hollywood studio would put out a not-so-thrilling thriller about a failed assassination attempt; it's the symbollic inspiration for the creation of a new order, an ancient struggle against God.

Valkyrie isn't really a corruption of a historical event, it's more of the occulting of the underlying Gnostic-Luciferian ideology propagating the events: sons of God falling from Heaven, the giants of Genesis, the men of renown/heroes, the royal bloodline, and the creation of a New World Order.